The phenomenal Kim Linwood – Part Two

Last time I invited Kim Linwood over to talk about the spanking success of Rebel, her debut stepbrother romance (no blood-related MCs, big HEA) and her method, I ended up publishing one of the most read and widely shared posts on this blog (here is the interview if you missed it). Her second outing with Bossy in the same sub-genre was equally successful, proving that she’s here to stay. I’m super excited to have Kim back to give us the lowdown on how she repeated her feat of producing a book that topped Kindle categories and shot up the Kindle bestseller list.

Welcome back, Kim! Are you ready for another third degree? Your success is too good not to be shared. Let’s start with your writing process. Bossy was published four months after Rebel but still, having read both books, I felt you have grown as an author. What are the writing areas that you worked on more this time around?

Thank you! I feel like Bossy is a better book, but it’s really difficult to evaluate when you’re so close to the source. By the time you’ve read over the book for the millionth time, you’re convinced it’s terrible, completely unfunny and hopelessly unromantic.

This time I tried to work on character depth and story depth, without losing the humor and plain fun that I try to inject into my stories. Declan and Claire’s relationship builds more naturally in Bossy, I think, and there’s a subplot narrative beyond just “I love/hate you” that helps drive the story and their relationship forwards. Obviously, the readers will determine whether I succeeded or not, but that was at least what I was going for. 🙂

You target a commercial, trendy romance niche: the stepbrother romance. Do you adjust your story to fit a specific mold? Do you follow a specific recipe or do you go by instinct? 

This is a difficult question to answer. By writing to a niche, I suppose the answer is always going to be yes, since I keep the niche in mind while planning the book. On the other hand, it’s a type of book that I really enjoy writing, putting my personal touch to it. I think my books have a definite comedic aspect to them, and I try to make the characters bigger than life with a bunch of over the top antics, all while writing a solid romance with real emotions and a happy ending at the core of it. I think my style works pretty well for the stepbrother/bad boy tropes, so I guess the answer is yes and no. The niche guides my decisions when I plan the book, but they’re usually decisions I might’ve made anyway, so I’m not sure if those count as concessions or not.

You published Rebel in May with great results. What knowledge have you gained since in terms of marketing a book? What did you do differently this time?

To be honest, I’ll be following more or less the same plan. Rebel was #11 in the Amazon Kindle store at its best, and it’s impossible to not be very happy about that. Obviously, I was hoping for a repeat success, but while I was hopeful, it’d be crazy for me to expect it. It could be quite possible that Rebel was a fluke, or just happened to show up at the right place at the right time. It was my first novel, and with a sample size of one, it’s difficult to glean any meaningful data. So for now, I’ll keep going with what I know worked last time, and then in a month or two, I’ll look back at this launch and see if there’s anything I feel needs to change.

Do you see the stepbrother romance trend holding up? Is there another romance niche on the rise?

There are definitely fewer stepbrother novels hitting the top ranks these days, so the trend might be dying down, or there might just be a lull right now. That said, I still see authors doing well with them and I know there are more coming from authors I respect. I have a lot of fun with the trope, so I’ll probably keep at them while readers enjoy them. That said, bad boys and sassy heroines don’t really seem to go out of style, even if the specifics change. Whether they’re werewolves, bikers, stepbrothers, MMA fighters, or something else, I think they’ll be around in some form for a long time to come. Who knows, maybe I’ll even write a few with different tropes just to mix it up. 🙂

As for coming genres, I have hopes for science fiction romance. The new Star Wars movie comes out around Christmas, and authors like Ruby Lionsdrake and Mina Carter have had good luck with them. If they’re going to get to top 10 material, I don’t know, though. I think writing sci-fi would be a ton of fun, but contemporary romance does seem to be the vast majority of the bestsellers, but there was certainly periods for werewolves and vampires in the past, so maybe the fantastical will get another chance. There are many authors who are still doing really well in those categories.

I guess my answer is, I don’t know, but if it’s not stepbrothers, I think it’ll be difficult to go wrong with the bad boys in some format. 😉

I know you sent out over 300 ARCs which got you over 100 reviews on the first day of Bossy’s publication. With only one book out and a budding platform, how did you connect with such a large number of potential readers and got them to give up their email address?

Well, for Rebel, I sent out 113 ARCs, I think it was, so the first thing I did was to ask them to sign up if they wanted to do an ARC again. I do a new signup each time to keep the list fresh. I figure that’ll get rid of those who didn’t care for the previous book and probably aren’t a good match as an ARC reader anyway. Also, my mailing list had about 230 people on it at the time, so I offered all of them to sign up as ARC readers.

At the same time, I try to get to know other authors, especially ones who write in similar genres, and we’ll do newsletter exchanges, so several of my friends sent notes to their mailing lists asking for ARC signups. In addition, I used Facebook, but I do think the majority came from the newsletters and previous ARC reviewers.

Endorsement through newsletters. Awesome! I keep seeing indie authors adding a whole other book at the end of a new release (two even). You’ve also added Rebel in its entirety as a bonus novel in Bossy. Why an entire book when it’s already up on Amazon and not just the one chapter?

With the way Kindle Unlimited has changed to paying authors by the page, there’s really very little reason to not give the reader as much content as you can, with as low of a barrier as possible. If it’s as simple as flipping a page to start reading another of your books, the threshold is virtually zero, at least so long as the reader likes your writing to begin with. You still have to generate quality product, writing good stories well, or they’ll never get there. But so long as they do, it’s a win/win situation for author and reader.

That makes so much sense. So, readers, you see that writing well is just one of the talents a successful author possesses (although it’s the number one talent, and that will never change). But if sales matter to you, then you have to keep abreast of trends, pool resources with others, and keep those books coming out! (Maria, are you listening?)

Kim, thank you so much for allowing me to tap into your insights for the second time. Here’s to you coming over a third with another bestseller, equally jaw-dropping stats and more useful tips.

Thank you so much, and believe you me, I hope so too! 😉

Links used in this article:

Bossy: A Stepbrother Romance (with bonus novel Rebel)Amazon US–   Amazon UK

My review of Bossy

Rebel: A Stepbrother Romance)Amazon US– Amazon UK

My review of Rebel

Kim’s first Q&A on MM Jaye writes

Connect with Kim Linwood

Sitehttp://kimlinwood.com
Twitterhttps://twitter.com/kimlinwood
Facebook: http://facebook.com/kim.linwood

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WIP Wednesday: Q&A with author and editor Alicia Dean

Alicia Dean Tin Man BWI haven’t posted a Q&A in a while, but I will compensate through introducing you to today’s guest, author, blogger and freelance editor, Alicia Dean. Alicia likes spinning spine-chilling stories, but she’s successfully delved into romance and paranormal as well. Scarred is her latest release, a Gothic short that appears in the Mysteries of the Macabre, a Halloween anthology, available just in time for the creepy holiday everybody loves.

Apart from her author’s work, we’ll talk about PoVs and newbie writer errors, so come join us!

Alicia, thank you so much for being here. Before we talk about your WIP process and your editing services, why don’t you tell us a few things about yourself?  

In addition to writing and editing, I work as a legal assistant for a family law firm. I am a huge Elvis fan. I love MLB and NFL. And, I love watching tv. You would think that takes away from my editing/writing time, but I get a lot of work done in front of the television…promise! J I have three grown kids who come over and hang out with me on a fairly regular basis, which I love. So far, none of them are married or have children, so I still get some of their time.

Halloween_cover_lowresYou’re an author and a professional editor. What came first?

 Being an author. I’ve wanted to write for as long as I can remember. Although, now that I think about it, I was officially an editor for The Wild Rose Press before my first book was published. So…

Exercise in lean writing: give us a synopsis of your current WIP in under 200 words.

As a teen, High School teacher Sabrina Spencer survived a serial killer attack at Christmas that took her entire family. Ten years later, a few weeks before Christmas, bizarre gifts begin arriving with a threat linked to the Twelve Days of Christmas. At the cabin she rents each year to escape the holidays, she meets Josh, a sexy handyman and a playboy who is the opposite of the kind of man she needs. The threats escalate and her students could be in danger as the Twelfth Day approaches. Sabrina must determine if she can trust Josh or if he is the one sending the twisted gifts.

Ha, just over 100!

Well done, and an enticing story you’ve got there! When you set word count goals, do you usually follow through? Do you have an effective writing method or time saving tips that you would like to share?

Honestly, I am usually behind on my goals, mainly because I have so many other projects that need my attention. The only time saving method I have is to use the speech to text function in Word. I am still trying to get used to it, but if I close my eyes and visualize the scene and just ‘speak’ it, I seem to write more quickly.

I’ve read that although this seems like a strange process, it gradually grows on you and you can indeed add words to your WIP. You run a very interesting blog. My favorite column is your Tuesday Two-Minute Writing Tip where you post excellent editing tips and sample edits of authors’ WIPs. You go for “deep PoV” edits”. Could you define “deep point of view writing”?

Thank you! I enjoy blogging and I enjoy sharing tips with others. Deep POV writing is when readers are brought closer to the experiences of the characters, rather than being distanced. It’s closely related to ‘showing’ vs ‘telling.’ Using filter words that distance the reader (such as ‘saw’ ‘heard’ ‘felt’ ‘wondered’ ‘thought’ etc) are signs that you might not be in deep POV. Also, using phrases that a character wouldn’t think about themselves, for example: (Let’s pretend we’re in my heroine, Sabrina’s, POV)

Sabrina wondered if Josh was the one sending the gifts. Surely not. If so, she was in more danger than she realized. The teacher’s blue-gray eyes filled with tears. She jumped in fear when she heard the phone ring.  (or, another common way sentences like the first one are stated: Josh could be sending  the gifts, she thought).

There is no need to tell us she wondered or thought. And, believe it or not, some writers DO say things like ‘the teacher or detective did this or the woman did that’ when they are in a character’s POV because they don’t want to keep using the names or pronouns, but that distances the reader, as do words like ‘heard’ and that last sentence is “telling” and distant POV. Also, a character won’t think of the color of their own eyes, or any of their physical qualities unless they are looking at them or it has something to do with their thoughts, such as: “She hated the way the humidity made her hair frizz.”

 This is better:

Was Josh the one sending the gifts? Surely not. If so, she was in more danger than she realized. Please, don’t let him be the one… Tears rose, and she wiped her eyes. The shrill ring of the phone made her jump. Her heart thumped loudly in her ears. (This could all be worded better, but my aim was just to make it deeper POV, less telling. No need to tell us she was ‘in fear’ and using ‘when the’ gives readers a head’s up and puts it in past tense, more or less)

Going deep in writing seems to be the name of the game. I attended a relevant course, and the teacher said that a writer stands no chance being picked up by an agent if she doesn’t go deep. Is that so? And does that apply to all genres?

I can’t speak for all agents, but I would say that it would be difficult to pick up an agent or get published without going deep. They may reject you without telling you that you didn’t use deep POV, but oftentimes if you hear phrases like I wasn’t engaged in the story’ or ‘I couldn’t connect with the characters,’ it’s probably because of distant writing.

Can you give us the most common writing mistakes in a new writer’s manuscript? The ones you’ve come to expect to correct?

Some of the most common are telling vs showing, filter words (both of these related to deep POV, or lack thereof), and backstory dumps.

For more info on Alicia Dean’s freelance editorial services, click here. http://aliciadean.com/editing-services/

Could we take a look at your workspace? Is there a particular place you find inspiring for writing?

AliciaWorkspace

Actually, I don’t have a very inspiring workspace, it is a corner of my bedroom with no outside view. But, I do hang things above my computer that inspire me.

Do you have any marketing tips or favorite promotional sites you’d like to share?

My best marketing tip is to choose a few social media platforms and be consistent on those, rather than trying to be on them all. Find a few that you enjoy. Facebook and Twitter are my main focus. As for a promotional site, I run an Authors Helping Authors loop where we promote for one another so we aren’t always ‘tooting our own horn’ and I have met a fabulous group of supportive authors. This is the link if anyone would like to check it out:

https://groups.yahoo.com/neo/groups/AuthorsHelpingAuthors/info

Your site is http://aliciadean.com. Where else can we connect with you?

Blog: http://aliciadean.com/alicias-blog/

Facebook: https://www.facebook.com/profile.php?id=100008364070487

Twitter:  https://twitter.com/Alicia_Dean_

Pinterest: http://www.pinterest.com/aliciamdean/

Goodreads: https://www.goodreads.com/author/show/468339.Alicia_Dean

Alicia, thank you for the awesome interview. Best of luck with your future projects.

Thank you for having me! I enjoyed visiting with you.

Blurb Thursday #3 (Blurb critique): Bossy by Kim Linwood

This week, I’ll present a blurb that takes top marks. Writing a blurb can be a royal pain, but the number one rule is to, first, think about your audience and then about your book.

Kim Linwood writes naughty, sexy stepbrother romances. As not all of you are familiar with this sub-genre let me make clear that the hero and heroine are not blood related; their parents hitch, but the chemistry between the siblings is too much to resist. Bossy
is Kim’s second full-length novel, and it’s shooting up the Kindle charts as we speak—it’s already No.1 in Action & Adventure, No. 2 in New Adult & College and No. 3 in Romantic Comedy. Note that the author offers her previous book, Rebel, together with Bossy (two in one).

Bossy: A Stepbrother Romance: (With bonus novel Rebel!)

by Kim Linwood
Genres: New Adult, Contemporary Romance
Purchase link: Amazon

Blurb

It’s a dirty job, but someone’s got to do him.

One night only. No promises, no regrets. He was rich, ripped, inked up, and gone in the morning.

I didn’t even know his name. Not until I read it off the door on my first day at work.

See, I don’t do bad boys, I don’t do troublemakers and I sure as heck didn’t graduate college with a 3.9 GPA by screwing around.

I was never supposed to see him again, but now he’s my new boss, as sexy in a suit as he was between my sheets.

And my new stepbrother.

Having him was a slice of Heaven. Working for him could mean selling my soul. But if the devil looks like Declan Riordan, Hell might be worth the burn.

My take

Bossy 1

The title? Indispensable. The audience of New Adult contemporary romances have the attention span of sugar-deprived child in a loaded candy shop. If you don’t grab their attention in the first sentence, they’re off to the next half-naked-guy cover—and trust me, there are a lot! It is a crowded sub-genre. Here, Kim uses a pun that shows that the story will get down and dirty—no sweet-talking those readers!

Bossy 2

After the reader knows that the book means business, she’s got to know what kind of hero she’s dealing with. Gorgeous, tattooed with commitment issues fits the bad-boy bill.

Bossy 3

Next step is to define the hero and heroine’s relationship. The first complication is their forced professional relationship. Kim here “shows” it instead of telling it.

Bossy 4

Now, the conflict has to be founded. The conflict initially stems from the heroine’s personality which has to be at odds with that of the hero for the explosive relationship dynamics to work. Here, our heroine is a good girl, a good student who stays out of trouble apart from that one fated night—but she won’t mince her words.

Bossy 5

Conflict fully presented. Not only is the relationship professional, it’s personal as well. And there’s also emotional conflict as the heroine’s heart and logic go their separate ways.

Bossy 6

This type of blurb has to end with a bang. In this case, the big dilemma. Kim does an awesome job with heaven and hell puns–good girl vs bad boy–that work like a charm. The good girl is seriously considering allowing herself to burn in the bad boy’s hell.

There’s absolutely no way readers of this sub-genre won’t one-click this title—and its success after just two weeks since it was published proves it.

Kudos to Kim Linwood for a blurb job awesomely done.

MM Jaye

We’d Rather Be Writing: 88 Authors Share Timesaving Dinner Recipes and Other Tips

I’m super excited to announce that I’m one of the contributors in an upcoming recipe & tips book inspired and edited by USA Today Bestselling author Lois Winston.  When Lois put out feelers, calling for submissions in the Authors Network Yahoo group, I thought that as an indie who’s way down the food chain (pun intended) I wouldn’t stand a chance, but I submitted anyway. And I’m in among NY Times and USA Today bestselling authors!

The book entitled We’d Rather Be Writing: 88 Authors Share Timesaving Dinner Recipes and Other Tips is already up for pre-order for only 99 cents with its release date set for October 30.

Read on for all the book details and please consider purchasing or gifting it as part of the proceeds will go to No Kid Hungry https://www.nokidhungry.org.

We’d Rather Be Writing: 88 Authors Share Timesaving Dinner Recipes and Other Tips

Editor: Lois Winston
Release Date: October 30
Pre-order link: Amazon

Book Description

Have you ever wished you could find more time to do the things you want to do, rather than just doing the things you have to do? Most authors juggle day jobs and family responsibilities along with their writing. Because they need to find time to write, they look for ways to save time in other aspects of their lives.

Cooking often takes up a huge junk of time. In We’d Rather Be Writing: 88 Authors Share Timesaving Dinner Recipes and Other Tips you’ll find easy, nutritious recipes for meat, poultry, pasta, soup, stew, chili, and vegetarian meals. All of the recipes require a minimum of prep time, freeing you up to read, exercise, garden, craft, write, spend more time with family, or whatever.

Within the pages of We’d Rather Be Writing: 88 Authors Share Timesaving Dinner Recipes and Other Tips you’ll be introduced to authors who write a wide range of fiction—everything from mystery to romance to speculative fiction to books for children, young adults, and new adults—and some who write nonfiction. Some of the authors write sweet; others write steamy. Some write cozy; others write tense thrillers.

Some are debut authors with only one published book; others are multi-published and have had long publishing careers. Some are New York Times and USA Today bestselling authors who may or may not be familiar to you, but being a bestselling author doesn’t mean they still don’t have to juggle their day job along with their writing.

The authors who contributed to this book are a rather creative and resourceful bunch when it comes to carving out time from their busy lives. So in addition to timesaving recipes, within the pages of this book you’ll find timesaving and organizational tips for other aspects of your life. And if you happen to be a writer, you’ll also find a plethora of great ideas to help you organize your writing life.

Authors who contributed to this book include: Lisa Alber, Reggi Allder, Judy Alter, Krista Ames, Rose Anderson, Cori Lynn Arnold, Judy Baker, Beverley Bateman, Donnell Ann Bell, Paula Gail Benson, Kris Bock, Maureen Bonatch, Ava Bradley, Susan Breen, Lida Bushloper, Michelle Markey Butler, Ashlyn Chase, Judy Copek, Maya Corrigan, Mariposa Cruz, Melinda Curtis, Lesley A. Diehl, Conda V. Douglas, Nancy Eady, Helena Fairfax, Jennifer Faye, Flo Fitzpatrick, Kit Frazier, Shelley Freydont, Mariana Gabrielle, Rosie Genova, Marni Graff, Joanne Guidoccio, Margaret S. Hamilton, L.C. Hayden, Linda Gordon Hengerer, Heather Hiestand, R.Franklin James, Kathryn Jane, M.M. Jaye, Elizabeth John, Stacy Juba, Gemma Juliana, Carol Goodman Kaufman, Melissa Keir, Kay Kendall, A.R. Kennedy, Lynn Kinnaman, Marie Laval, B.V. Lawson, Claudia Lefeve, Alice Loweecey, Cynthia Luhrs, Sandra Masters, Lisa Q. Mathews, J.M. Maurer, Sandra McGregor, Kathy McIntosh, Claire A. Murray, Ann Myers, Tara Neale, Stacey Joy Netzel, Jayne Ormerod, Alice Orr, Laurel Peterson, Irene Peterson, Pepper Phillips, Caridad Pineiro, Kathryn Quick, Renée Reynolds, Josie Riviera, Elizabeth Rose, C.A. Rowland, Cindy Sample, Sharleen Scott, Terry Shames, Susan C. Shea, Judy Penz Sheluk, Joanna Campbell Slan, Karen Rose Smith, Lynette Sofras, Kaye Spencer, Skye Taylor, Lourdes Venard, Lea Wait, Regan Walker, Lois Winston, and Aubrey Wynne.

Thank you, Lois, for offering me a spot in this awesome book, and all of you readers for considering its purchase or promotion.

MM Jaye